In a media landscape where attention spans are shrinking and content is endless, Tanisha stands out not by shouting the loudest, but by knowing exactly why her voice matters.
From her early days as a news intern at Power 98 under So Drama! Entertainment, to becoming a recognisable face delivering bite-sized news across Instagram, TikTok and Facebook, Tanisha represents a new generation of storytellers — one that balances speed with substance, and relatability with responsibility.
But behind the polished delivery and confident on-screen presence lies a deeply grounded philosophy: every story deserves respect.
Long before the social media metrics and hosting gigs, Tanisha’s foundation was built in the newsroom, where the stakes were clear and the lessons, lasting.
“The biggest thing I learnt early on was that journalism is a responsibility,” she reflects. “Every interviewee has taken the time to share their story. The least I can do is represent it accurately.”
It’s a principle that continues to guide her work today, even as the platforms — and pressures — have evolved.
Transitioning from traditional radio to digital-first storytelling meant adapting quickly. Hooks became sharper. Titles became punchier. But the heart of the work, she insists, remained unchanged.
“You think about what will catch someone’s attention. But the essence of the story will always stay the same.”
For Tanisha, clarity didn’t come gradually… it arrived in a single, defining moment.
Standing in front of the camera, reporting on the Republic of Singapore Air Force’s humanitarian aid mission to Gaza, she felt it.
“This is what I want to do,” she recalls. “To talk about important stories and be part of significant moments like that.”
It wasn’t just about being present, it was about bearing witness and translating that moment for others.
In a country where national service is a shared experience, defence reporting can sometimes feel distant or overly complex, especially for younger audiences.
Tanisha is determined to change that.
“When I approach these topics, I always ask: why should a young Singaporean care about this?” she says. “We’re flooded with information. If it’s not clear or relevant, it gets lost.”
Her solution? Strip away the jargon. Reframe the narrative. Anchor it in everyday relevance.
“The defence of Singapore concerns all of us. It’s just often presented in very dense, verbose ways. I try to break that down.”
Whether covering high-level platforms like the Shangri-La Dialogue or reporting on national court cases, her approach remains consistent: pause, research deeply, present facts clearly, and let voices be heard.
“Take a deep breath,” she says with a laugh. “Then take another.”
In the age of TikTok and Instagram, where virality often dictates visibility, Tanisha faces the same question many modern journalists grapple with: how do you stay engaging without compromising accuracy?
Her answer is refreshingly simple:
“I don’t post with the intention of going viral. If it happens, it happens,” she says. “I just focus on making good, reliable content.”
That doesn’t mean ignoring creativity. Her videos are thoughtfully crafted to stand out in crowded feeds, but never at the expense of truth.
“I avoid sensationalising stories. But I still look for creative ways to present them —through real experiences and human angles.”
It’s a balancing act, and one she navigates with quiet conviction.
Beyond journalism, Tanisha’s versatility shines through in her hosting and voice-over work.
From the high-energy buzz of Anime Festival Asia (AFA) to corporate live-streams and brand campaigns with DBS, StarHub and the Health Promotion Board (HPB), she shifts seamlessly between roles.
“I joke that I have multiple alter egos,” she says. “But really, it’s about understanding your audience and adjusting your energy.”
Ironically, it’s not the live crowds that faze her… it’s the intimacy of a microphone.
“Recording a podcast is more nerve-wracking,” she admits. “Talking to a lens feels more daunting than speaking to real people.”
That vulnerability feeds into her ongoing journey of “finding her voice”, a process she describes as both technical and deeply personal.
“It’s about building a voice that feels authentic. Something that sounds like me, and that people can trust.”
That authenticity is perhaps most evident in The Situation Report, her podcast that unpacks everyday issues with a dose of humour.
In a time where news can feel heavy and overwhelming, Tanisha believes humour has a role to play, even in serious conversations.
“Who doesn’t love a bit of humour?” she says. “As long as there’s a time and place —and it’s done with class — it helps people engage.”
Interestingly, it’s not always the biggest global issues that spark reactions.
“Transport topics,” she laughs. “The response to those is always surprising.”
It’s a reminder that sometimes, the most relatable stories are the ones closest to home.
Off-camera, Tanisha is just as immersed in storytelling, whether she’s watching rom-coms, documentaries, or imagining alternate careers.
“If I wasn’t in media, I’d probably have multiple jobs,” she says. “A rom-com author, a Singapore tour guide, maybe even a yoga instructor.”
It’s a reflection of her curiosity, and her instinct to connect with people, no matter the medium.
Looking forward, Tanisha sees Singapore’s media landscape becoming more fragmented… but also more meaningful.
“We’ll see more niche content,” she predicts. “Smaller audiences, but highly engaged ones.”
It’s a shift she’s well-positioned for, having already built her career on speaking directly, and authentically, to her audience.
In an industry often mistaken for chasing likes and views, Tanisha offers a quiet but powerful counterpoint.
“Yes, engagement matters,” she says. “But many of us genuinely care about the stories we tell and the connection we build with viewers.”
And in that space between information and emotion, speed and substance, Tanisha has found something rare:
Not just a platform, but a purpose.
Catch Tanisha on “The Situation Report” every Wednesday on the Kakee app.
